However, I believe that whatever your profession and whatever the camera you own, it’s always a good decision to invest in the best possible lens you can afford… and in this case, that’s the Sony 24mm f/1.8. If you own a Sony crop sensor body and crave the the advantages and flexibility of using a ‘real’ 35mm lens (as opposed to one that’s labeled ’35mm’, but converts to around 50mm on APS-C), the 24mm f/1.8 is simply the best lens you can buy. It’s one of the best wide-angle lens for most Sony photographers and videographers. Opening up your aperture to f/1.8 can mean the difference between a blurry image (caused by too slow a shutter speed) and a sharp one, (where using a wider aperture allows a faster shutter speed). If you need to turn unsightly backgrounds to mush or want to give subjects more 3 dimensionality, this 35mm lens is unbeatable in the Sony full frame lens lineup. The E-mount is used on the Sony mirrorless camera system (Alpha 7, 6000, 500o and NEX series cameras). NEX stands for “New E-Mount eXperience”, with the branding no longer used on newer Sony cameras. It’s by no means an exhaustive list since every photographer’s needs are different. 00 Sony SELP1650 16-50mm OSS Lens: Sony E PZ 16-50mm f/3.5-5.6 OSS Lens … 16-35mm has also become popular with wedding photographers, particularly on the dance floor of all places. There’s clearly a lot of choice for Sony shooters in 2021. (We actually included this lens in our article on the best lenses for Sony a7 cameras.). Sony a7RIII +  85mm f/1.8 | © Gold Hat Photography, So when I switched to Sony, I decided on the 85mm f/1.8 and haven’t looked back. I have to say that the auto-focus speed of the 35mm f/1.8 when mounted to the Sony a6000 wasn’t amazing, especially when the subject was heavily back-lit. What we like: Lightweight and sharp. 55mm may sound unusual, but the difference between a 50mm and a 55mm field of view is minor and something you’ll quickly get used to. Weighing in at 680g, this is one chunky lens, similar in proportions to the 35mm f/1.4 described above. Sony a6000 + 35mm f/1.8 | © Rambo Estrada. Shot wide open at f/2.8, images are tack sharp, and this level of detail remains across its entire focal range. The f/4 Zeiss version is an affordable and tempting alternative, but you’ll be left wondering how much better your image could have looked…! Having said that, after spending a day shooting with the 16-35mm f/4 Zeiss and this Sony 16-35mm f/2.8 GM, I’m convinced that the latter is worth the extra cost. The Sony FE 85mm f/1.4 GM or the Sony FE 90mm f/2.8 G OSS would be better for people and animals. If you’re coming from Nikon or Canon, you’ll be used to the high price of f/2.8 zooms, the price is more easily justified – there’s a lot of crazy engineering that goes into producing a fixed-aperture lens of this caliber. It’s my ‘money lens’, a real workhorse that delivers great-looking images over and over, and allows me to shoot in near darkness with no flash. This is one of the best Sony lenses a beginner can get. … Sony a7RII +  24-70mm f/2.8 | © Tony Gale. Weight: 8 oz. In combination with the fast f/1.8 aperture, this is another reason that the 35mm f/1.8 is so good for low-light shooting. Lightweight and high quality, this is another best Sony e-mount lens for everyday use. Made in Thailand, this is the best budget E-Mount lens for your Sony camera. What is the ultimate Sony FE (full-frame, E-mount) Macro lens? Despite different branding, the … Will Sony FE lenses work on a6000, a6300, a6400 & a6500 bodies? Its light weight and diminished size make it a perfect walk-around lens when mounted to a Sony mirrorless camera, making this lens an extremely popular choice with street photographers. It makes the camera a joy to hold, has excellent image quality and won’t break the bank. If you’ve just blown your budget on a new Sony full frame mirrorless camera and can only save up for one lens, the 28mm f/2 would be my recommendation. Since it can’t zoom in, it makes a better camera for new photographers. It’s fair to say that any of the Sony products with the word ‘Zeiss’ on the side really excel in image quality, especially the fast primes such as this one. If you’re coming from another camera system, investing in two Sony mirrorless full frame bodies and several lenses may be out of your budget. I’ve owned numerous iterations of a 35mm lens over my years shooting DSLRs, and so the 35mm f/1.4 was a simple choice as the first lens to buy with my a7R III. Check out the video below to see the features that put the GM lenses one step above all the others in the Sony lens catalogue. 35mm equivalent: 15-27mm. Compatibility: Crop Sensor (E) Minimum Focus: 0.16 m Filter Diameter: 49 mm Size: 63 mm (diameter) x 65.5 mm (length) Weight: Approx. In actual fact, it turned out to be much more than that…. I call it the ‘lazy lens’, as you can literally shoot an entire wedding with one, barely moving your feet all day! Category: Wide angle. 16mm allows for some crazy, in-your-face moments to be captured, and the versatility of zooming out to 35mm allows you to capture wider angle for when the action becomes more varied. F/2 on the 35mm f/1.4 seems to be the sweet spot in terms of centre sharpness and combined with the beautiful bokeh, that pleasing ‘3D effect’ is actually increased. The 28mm field of view really encourages you to get in close for a sense of immersion, and f/2 can help direct the viewer’s eye by blurring the foreground and/or background. MSRP: $1,599. That’s right, the 55mm f/1.8 is getting long in the tooth…. As a rule of … With the ever-expanding range of Sigma Art lenses for e-mount in addition to Sony’s own offerings, the allure of using non-native glass on your Sony camera is dwindling. This lens is also amazing for architecture photography for this reason, although at 55mm you’ll obviously need to be able to stand back far enough to fit the subject of your photo in completely. For those who love doing street photography and video shooting, you should buy this Sony 18-135mm e-mount zoom lens. Legacy lenses reviewed include Canon FD, … One area where the 35mm f/1.4 out-performs the Nikon and Canon equivalents is sharpness. A real workhorse that delivers great-looking images over and over, and allows you to shoot in near darkness with no flash. A wide angle zoom lens with the best image quality and can justify the price tag. DXO Mark compared the Sony 85mm f/1.8 with the other Sony/Zeiss 85mm variants and found it to be the sharpest of the bunch. With the incredible high ISO performance of Sony full frame cameras, you won’t miss the 2/3 of a stop when the sun falls, and you won’t miss it even if you’re a bokeh-whore! Coming from the Nikon 35mm f/1.4G (included in this best Nikon lens roundup), I noticed a similarity in the smooth transition of in-focus to out-of-focus elements which gives images a kind of ethereal personality. Whilst you could use the 35mm f/1.4 on a crop sensor body like the Sony a6500, I’d definitely recommend holding the camera+lens setup before making your purchase – the size/weight of the lens will dominate the camera, so could feel quite odd. Build quality is all-metal as to be expected from Carl Zeiss, and it’s a huge step-up from the plasticky kit lens. It’s important to understand the difference between Sony FE and Sony E-mount lenses (we’ve ignored Sony A mount lenses in this review, which are for Sony’s non-mirrorless range of cameras). You don’t buy the Sony 16-35mm f/2.8 as a replacement to your 35mm prime lens. Shop by focal length such as 24mm, 14mm, 35mm I wouldn’t want to drop it (obviously! So for a crop sensor prime lens such as the 24mm f/1.8 to cost almost as much as the camera itself (see latest price here), you’re going to ruffle some feathers amongst hobbyists! The best standard wide angle lens available for crop sensor Sony E mount cameras. There’s no doubt that this Sony 24mm f/1.8 is the best standard wide angle lens available for crop sensor Sony E mount cameras, but its price definitely isn’t for everyone. Since APS-C sensors are smaller, the FE lenses can also be used on the Sony APS-C sensor range (also known as NEX), albeit at a 1.5x focal length and maximum aperture multiplication. FE refers to a lens designed to cover a Sony full frame (35mm) sensor. Overall, it’s a good lens for the money. Let’s break those words and abbreviations down: Other Sony lens abbreviations you may see include: In the reviews below, I’ve removed the superfluous lettering after the main elements of each lens name in the interests of simplicity – feel free to click through to each lens on Amazon to see the entire lens name. The 28mm f/2 is currently the most affordable Sony FE prime lens (see the latest price here), and an absolute bargain when compared to wide angle lenses of a similar caliber by other manufacturers. Colour rendition is excellent with the Sony 24mm f/1.8, and images are clear, vibrant and contrasty, but this obviously depends too on the camera used. Sony A Mount lenses are designed for Sony Unique Translucent Mirror type camera bodies (the Sony α system). One small issue I noticed was ghosting when shooting towards the sun – this is one area where the coated glass of the 24-70mm f/4 Zeiss is superior, but I don’t consider it a big problem. Auto-focus performance is just as good as any DSLR equivalent I’ve shot with. Thanks to a high speed internal focusing mechanism, the 55mm f/1.8 delivers fast, silent and precise auto-focus. Firstly, Sony’s own 85mm f/1.8 is a superb lens and priced at a very reasonable $598 (perhaps part of … I love the look of images shot at f/1.4, but felt that I could easily get by with f/1.8 – the trade off in light gathering ability was more than worth it for the reduction in size/weight and price. I’ve been fortunate enough to have access to the entire range of native Sony e mount lenses (thanks Sony Australia! Its size/weight went well with the smaller bodies, and the impeccable Carl Zeiss optics made the most of the A7R’s 36MP sensor. Zeiss E-Mount Lens Guide >> Sigma E-Mount Lens Guide >> Tamron E-Mount Lens … 50mm is a popular focal length since it gives an un-distorted view of the world, and can be flattering for portraits, without making the subject feel detached like a longer lens might. In fact, I’d go as far as to say it’s my favourite lens for a crop sensor Sony body such as the a6000. All in all, the 55mm f/1.8 is a gem of a lens to have in your camera bag… or indeed your jacket pocket, due to its diminished size/weight. The Viltrox is great for Canon EOS-M. I’m a firm believer that small mirrorless bodies should be matched with small, lightweight lenses, and this is quite simply one of the best. 281 g, Let’s start this review off with one of the sharpest lenses ever produced… all the way back in 2013! The cameras used for testing were the full frame a7R III (reviewed here), the a7 III (reviewed here), and the crop sensor a6000 (reviewed here). However, it is a tad smaller, and paired with a Sony A7 or A9 body, it actually feels pretty good – the narrowing of the lens where it meets the camera body creates a comfortable space for the fingers of your non-camera-holding hand to rest. Sony Distagon T* FE 35 mm f/1.4 ZA. So, without further ado, here are the best Sony lenses. Add in f/1.4 for beautiful subject separation and incredible low-light performance, and you have pretty much the ultimate prime lens for Sony shooters. While it is hard to beat this e-mount lens, you will want another lens for taking close-ups of people. That’s why having a ‘fast’ lens with a large (f/1.8) aperture like the 35mm f/1.8 is such a big help. Wedding photographer or not, 35mm allows you to fit enough in the frame to tell the story, whilst at the same time being equally suited to shoot a solo portrait, group shot, landscape image, or anything else for that matter. They feature an internal focus design so that the lens does not change size while focusing to minimize … As you’d expect from the price tag of a G Master lens, image quality out of the Sony 16-35mm f/2.8 is nothing short of incredible. If you want to know what lenses to buy for your Sony camera first, this quick summary should help: If you’re looking for an affordable, fun and tiny prime lens for your Sony APS-C sensor (E mount) camera, the Sony 20mm f/2.8 is my pick. The overall image quality for this lens is stunning. Here’s an example of a lens that’s quite a mouthful: Sony lens naming conventions can be a little confusing…. Although cheaper than the Canon/Nikon equivalents by about $300 (see the latest price here), I imagine that the majority of its owners are either professionals (like me), or amateurs who place a great value on stellar imaging performance. As well as low-light shooting advantages, the larger aperture of the 35mm f/1.8 helps to separate the subject, by encouraging sharp in-focus elements, and creamy out-of-focus elements. At only 200 g and a truly pocketable size, I imagined this would be my ‘everyday lens’ for non-professional use, or the lens I’d attach to my new a7 III when traveling. I was on the fence for a while whether to include the excellent Sony FE 35mm f/2.8 here instead, but realised that my love for that lens was mostly due to its size rather than its optical performance. (If there was an f/1.8 35mm, I would’ve got that too!). The ‘Distagon’ in its full name (Sony FE 35mm f/1.4 Zeiss Distagon T*) refers to a lens design which helps reduce distortion. Wide angle lenses can’t really create much out-of-focus elements unless you get really close to the subject, but when you do, the Sony 28mm f/2 does a great job at creating subject separation. ), feel free to skip ahead to the next recommended lens, since the 35mm f/1.8 is only for APS-C (crop) sensor shooters. In addition, shooting near the 70mm end of the focal range at f/2.8 produces creamy bokeh that turns out of focus elements into mush – very useful for unsightly backgrounds at weddings, for example. Both the Canon and Nikon offerings top the scales at around 600 g (21.2 oz. 630 g. Still on the classic 35mm focal length, the Sony 35mm f/1.4 is my recommendation for Sony full frame shooters. At f/2.8, the 24-70mm f/2.8 is impressively sharp in the centre of the frame across the entire focal range. The image quality is great, and its focal length and aperture make this one of the best lenses you can get for portraits. 371 g. Remember I mentioned that I bought 3 lenses when I switched from Nikon to Sony? Small and light as a lens cap, you can blur the background on the cheap, and the image quality is surprisingly good too. If you can get close enough to the subject, the bokeh exhibited by the Sony 16-35mm f/2.8 is smooth and creamy, although to really maximise the effect, you’ll need to be shooting at 35mm. The cheapest AF full frame E-mount lenses are the Sony 1.8/50 and the Samyang 1.8/45. However, in most normal daylight situations, the lens/camera locked onto the subject fast enough, and it wasn’t an issue. Obviously, AF speed is largely dependent on the camera itself but paired with any Sony mirrorless full frame camera, I’m confident that you won’t be disappointed. I often shoot portraits at f/2, just to give myself a bit of leeway in case of missed focus. It can really help new photographer build the skills they need to improve. Often times it’s just a matter of what you want to take great photographs. See where I’m going here? by James Madison. Very ideal for sports or nature shooting, the Sony FE 16-35mm G Master has to make this list for this obvious reason. This can be too difficult for most beginner photographers to figure out on their own. One other lens recommendation is the Sony 85mm f/1.8, which is a lightweight, affordable prime lens that’s perfect for portraits, delivering sharp, contrasty images with beautiful out-of-focus areas. Bokeh produced by the 35mm f/1.4 is simply amazing. Highly recommended! One problem with it is its weight. By: Fotasy. ZEISS Batis 18mm F/2.8. With the compression at 85mm, I find that the bokeh at f/1.4 is almost too much. Buying Guide: Digital Camera Lenses for Beginners. Yes, at a 1.5x focal length and maximum aperture multiplication. It’s also much lighter than a lot of lenses this good. However, I believe that this roundup provides a solid selection of all-round lenses that give the best bang for the buck, or simply provide the absolute best image quality at a given focal length. Disclaimer: All recommendations are impartial and based on user experience, with no bias to the products or the brand. Overall, the Sony 35mm f/1.8 is a versatile and fun little lens that is the perfect complement to a small Sony mirrorless body, with images quality that simply isn’t possible with the kit lens that comes with your camera. Now that you’ve got over that initial shock, why the heck am I recommending such expensive glass in a roundup that’s supposed to cater for the average photographer?! Carl Zeiss 135mm f/2 APO-Sonnar for Canon EOS with Metabones to Sony FE mount. This lens is perfect for close-ups of small objects. For zooms, the f/2.8 G Master lenses are the cream of the crop, whether you own FE or E mount. When mounted on a Sony APS-C (crop sensor) body like the Sony a6000, the field of view is converted to 85mm, a classic focal length for portrait photographers, who strive for un-distorted, flattering facial features, beautiful out of focus areas (subject separation) and a mid-range zoom which still doesn’t make the viewer feel too detached from the image. The Sony a7 and Sony a9 series are full frame mirrorless cameras, so must use the FE range of lenses which have been designed to cover the entire 35mm sensor. The Sony FE 85mm f/1.8 is designed for the Sony E-mount full-frame camera systems. Lens reviews is a collection of real world tests and reviews of vintage lenses adapted to Sony e-mount, mirrorless cameras - the A7s, A7iii, a6500, and a6000. Paired with the Sony a7 or a9 series bodies which offer silent shooting, you can focus and shoot with no noise at all. In my opinion, it’s the best prime lens for Sony crop-sensor camera owners who want a small and lightweight setup with excellent optical performance – it’s in many respects the perfect travel camera/lens combination. Compatibility: Full frame (FE) & Crop Sensor (E) Minimum Focus: 0.8 m Filter Diameter: 67 mm Size: 78 mm (diameter) x 82 mm (length) Weight: Approx. Overall it is a very good lens. Mark Condon is a British wedding photographer based in Australia and the founder of Shotkit. Sony doesn't sell any manual focus lenses, but others do. The quality of the bokeh really is great, with round and clean highlights throughout the focal length, thanks to 9 rounded aperture blades. the ‘holy trinity’, are unbeatable in quality. Type: Prime Wide-Angle. The A-mount is used on Sony Unique Translucent Mirror (essentially DSLR) cameras. Yes it is. Zooming in 100% on images shot with the 55mm f/1.8 attached to a 42MP a7R III is mind-blowing – individual eye lashes look like wires on head shots which fill the screen with the 55mm. Both are outstanding lenses. If portability is your primary concern the f/2.8 model is the best choice, but the lens I’m about to tell you about below is much better…. As for image quality, the 28mm f/2 is sharp and contrasty all the way through the aperture range. With several lens manufacturers catering to the Sony E mount, as well as Sony’s own amazing lens lineup, you can’t help feeling a bit overwhelmed by choice! This may be the kind of lens you’d want to buy if you weren’t interested in professional photography. … Sony users are undeniably spoiled for choice when it comes to affordable 85mm lenses. Razor sharp, great bokeh and lightweight. If you own a full frame Sony body (lucky you! The Sony E 35mm f/1.8 OSS is especially good for a beginner. The Sony 70-200mm f/4, for instance, is great value for money, and perfect for both Sony crop sensor or full frame cameras (it becomes a 105-300mm equivalent on APS-C). Distortion is minimal, but this is probably due to Sony mirrorless bodies which correct most distortion in-camera. Rokinon 14mm F2.8 Full Frame Ultra Wide Angle Lens For Sony E-Mount. Whilst slight barrel distortion is still apparent, it’s nothing to worry about, and easily corrected upon import to Lightroom. Compatibility: Full frame (FE) & Crop Sensor (E) Minimum Focus: 0.28 m Filter Diameter: 82 mm Size: 88.5 mm (diameter) x 121.6 mm (length) Weight: Approx. Sony’s contactless linear motors eliminate gears and mechanical couplings. … This is one of the best lenses for portraits. Compatibility: Full frame (FE) & Crop Sensor (E) Minimum Focus: 0.38 m Filter Diameter: 82 mm Size: 87.6 mm (diameter) x 136 mm (length) Weight: Approx. Sony E Mount lenses are designed for Sony mirrorless camera bodies. As with the 55mm f/1.8 we discussed earlier, the 85mm f/1.8 achieves incredible amounts of detail – zooming in 100% with the Sony A7R III files is mind-blowing. Although technically it’d fit on a full frame body, you’d experience nasty vignetting unless you cropped the image in-camera. Copyright © 2019 Sweet Memory Studio – Sweet Memory Studio helps photographers and most people find the best cameras, photography gears, accessories, and digital electronics and gadgets. 28mm is a somewhat unusual focal length, and it did admittedly take me a little time to get used to. These two may well be my two most-used lenses … ), and have selected what I believe are the best options for all-round use. One nice touch is the aperture ring which allows aperture adjustments to be made on the lens. Fujifilm shooters are ‘limited’ to APS-C or Medium Format, but Sony shooters can decide between crop sensor and full frame.. and most pros choose full frame. Most people would want a lighter lens than this. ), but am pretty confident it’d survive the fall if I did. I prefer to assign the camera’s command dial to control aperture, but for fans of rangefinders or video shooters, using your other hand to adjust aperture can be convenient. 55mm f/1.8 offers a versatile focal length that’s perfect for shooting portraits, and delivers class-leading sharpness and first-rate Zeiss quality. This is my list of the best Sony e-mount mirrorless lenses for shooting videography you can buy this year. Yes there’s an f/4 Zeiss version and even a 28-70mm f/3.5-5.6 Sony offering too… but they’re all outperformed by the 24-70mm f/2.8. Be much more than that… nature shooting, the 24-70mm f/2.8 is impressively sharp in the photography community s a... Are impartial and based on user experience, with no bias to the 35mm f/1.4 above... Survive the fall if I did pleasantly surprised with how much bokeh can be little... 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